Recent music

The other night I sat down and worked out what my output has been this year (from Jan 1st) and I was shocked. I have written around 30 mins of music which works out about 20 secs per day. I was shocked how I have written so much but then I have finished Relations (a piece for stereo orchestra), Rain (for soprano and guitar), The Wavering George (Violin and Cello) a bass clarinet solo and Unresolved for solo piano. Then there is a percussion piece and a guitar and violin piece that I have started to write within the last week. I dont know how this has come about but I think a switch has flipped in my head from wanting to compose to being able to compose. Every piece (bar Resolved) has either had a workshop, a performance or a performance scheduled. The situation I'm in at the moment is amazing until I remember I still have essays to write.

Also in the last few months I have had very good press reviews. The first one for Imagined Notes by Michael Dervan of the Irish Times which you can read here and the second for Puddle Wonderful. First real reviews I've had and I'm very happy with both!

I feel a bit of info about the pieces is needed, I don't normally do this unless asked but for some reason I'm compelled to. Imagined Notes was written for my final electro-acoustic composition last semester and is basically a reaction against what I see as noise music. What I mean by this is music with no overt pitch bass and simply uses real world sounds to create a piece. I know a door closing or a footstep does have a pitch but not in the same was as a trumpet. So the piece was written to lie somewhere in the middle of the noise music and real music. To do this I took recordings of a piano and an oboe and processed them via transposing stretching etc. The transpositions aimed to create a triadic harmony with the same kind of pull and push of tonality so chords were built up with 5ths, 3rds etc. Though terms such as chords should be used even more loosely in this piece than most because the transpositions where never meant to be precise but more to give the impression of tonal harmony which I think I succeeded in doing. Please do comment and discuss I'd be interested to hear feedback and if others think I did it as successfully as I think.

Relations is a piece for large orchestra with double of most things. This is to create a stereo effect for the audience. The piece is also based on one chord (G-B-E-F) this chord is intended to resonate the whole way through the piece of the piano mainly at the beginning and the end as this section is built on the harmonic series of each note. The music swings round the orchestra or bounces across from left to right. Unfortunately hearing this effect isn't going to happen any time soon, I dont think I could pull together an orchestra needed for it, but maybe in the future.

I might talk about the percussion piece a little in a week or two after its completely finished but it is similar to Relations in the sense that it is based on one note rather than one chord and develops in a similar vane to The Space Within, which I conducted in the 3rd Queen's Composers' Concerts and a recording will be up soon.

I think this is the first blog post in a while that wasn't for the reason of bitching, in fact it had no reason behind it I just felt compelled to write one. Please feel free to give me any comments or feedback about my music. Always interested to hear peoples opinions. You can also get some of my scores at Sibelius Music or Emerging Composers Library
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Concerts

Three months have gone by and not even one update, I feel ashamed of myself considering the amount that has happened.
October saw the continuation of rehearsals for the opera, there was quite a lot of stress and a few arguments that had to be calmed down but eventually it all worked well for the concert in November. Really happy with how Puddle Wonderful went and managed to get a, rather bad quality, recording of the last night which is up here. All four operas were well received, we didn't fill the place but I think there was about 300 came over the three nights. The week after that the second Queen's Composers' Concert happened. The hall was about 3/4 filled (which again I was really happy with). Afterwards I got quite a few emails congratulating me on the concert. Again the performance of Untitled went really well, though up until the last two rehearsals it wasn't quite coming together so I had to step in and flail my arms about in some kind of uniform pattern and tempo, this helped make it an excellent performance.
After this concert there was a rather large feeling of emptiness upon realising I had no planned performances planned. This swiftly changed when I joined, and was made secretary of, the Irish Composers Collective. Due to this group I now have a performance of Imagined Notes (22nd February) and of an as yet unwritten violin and cello duo on the 22nd of March both of which will be in the National Concert Hall in Dublin. Two days after the latter concert will be the third Queen's Composers' Concert, and the final one organised by me. For this concert I'm conducting The Space Within, a septet written last year for my final composition. It will be my last Composers' Concert because as of September I will be in Glasgow Collage of Music studying MMus in composition. Finally at some point within the next few months I'll be getting a performance of a soprano and guitar piece called Rain, with words by Edward Thomas, written for Becca Hopkins and Declan Keenan. Hopefully more concerts will come my way soon but I think thats a decent amount to be going on with. Though I'm starting to think of organising an ICC concert in Belfast before the end of the summer but that is still a very hazy idea.
I think thats a brief catchup of everything thats happened for anyone thats interested.

Home

It has been almost a month since my last blog. Since then I have been in Prague, Krakow, Budapest, Vienna, Rome, Geneva and Barcelona. I was planning to try and blog as I went around Europe but that didn't happen. Needless to say it was a really good trip and saw some amazing places. Even found a CD shop in Vienna that sold only classical music and another that was stocked with scores! I was like a kid in a sweet shop! Probably not that big a deal to anyone reading from a big city but Belfast doesn't have these kind of shops annoyingly. The classical section in HMV is rather pathetic and matchets, though great for exams, doesn't stock that much. Ach well, amazon helps. Finding the shop which had cds I wanted gave me the impetus to by them, finally got round to getting Chronochromie and a CD of Takemitsu's chamber music. First introduction to him and I'm hocked. Also went to the Picasso museum, Van Gogh museum and saw an exhibition of Turner's paintings, all amazing in real life.

Anyway, I have been home about just over a week and finally getting back into the swing of things. It took me almost a week to recover and catch up on sleep! The second Queen's Composers' Concert is pretty much organised, posters are being designed, music is being written, will be in the Queen's concert brochure and there should be a mention going up onto the CMC Ireland website soon about it. By the way its on the 25th November at 7.30pm in the Harty Room in Queen's Music Department and its free.

As for the opera its coming on quite nicely. About 1/3 of the way through it with about 3 weeks left to write it piles of time... I hope. I think reading 'Morton Feldman Says' has influenced it a little, or at least my ideas but I will reserve judgment until its finished. I think the dates for it are the 13th and 14th of November.

Just as a final note one of my friends, Daniel Barkley, has just put up his own site http://www.danielbarkleymusic.com/ . Have a look, hes doing continuing blog on how hes writing a Euphonium concerto which looks interesting.

For once a blog that isn't on a friday night!
I feel its time for an update since it has been ages since the last one. Not too much has happened recently, went to Download music festival for a week and it was damn good.
As for compositional stuff. I started writing the opera after a few weeks of finding the 120 déçi-tâlas Messiaen wrote about and then trying to find translations. The translation side was almost impossible so I did my own which I'm thinking of posting on my site. Finally got that sorted and have about a minute of it written, so about 1/10th the way through. It is definitly a learning curve as I have never written for voice. Trying to think of a words rhythm and combine it inside the music is a little challanging simply because I've never done it before.
Also started on a piece for Alto Sax, Piano, Violin, Viola and Cello for the November Queen's Composer's Concert. Managed to write about 1min 30 in a day just sitting out in the garden. Really pleased with it so far. Definitly getting the nack for minds ear, though hearing it on sibelius helps and gives even more ideas to develope.
Finally heading to York on friday (the day after my 21st birthday :S) to hear Beyond the Tone being played at CNMC (creating new music comunities). Should be a fun weekend.

Friday Again

This does really seem to be a weekly blog. This week hasn't involved anything too exciting. Just working and going to concerts. Went to seven concerts this week, six of them part of Sonorities Festival at Queen's and one of those being five hours long! Not all of them good though, POW ensemble was a little weird but the rest (CMC Composers’ Platform, Bird on a Wire, Trio Scordatura and Move) were really good. Possibly going to write something for Bird on a Wire when I get a chance.
The next Queen's Composer's Concert has confirmed a date, Wed 25th November. There are so many people interested I've started organising another one for the 24th of March 2010, or around then anyway. Ages away but why not be organised?
Finally got my electro-acoustic piece finished and called it "Machinist's Visual Fallacy". More details on that will be up soon once its handed in and marked. Just have to do an analysis of Ricardo Climent's Silent Era now and thats electro-acoustic comp finished for this year.
Like I said nothing too exciting this week going to start getting stuck into other compositions next week I think.
Until next Friday (probably).